By late 1943, Hitler desperately needed a secret weapon to win WW2. Engineer & master spy Karl Strom devised a simple device that would bring Britain to its knees over night. This character driven story of intrigue and guile, love and revenge, tells of the suicide mission undertaken by 4 German spies. It will transport you back in time to the Channel Island of Alderney where they prepared and to the back streets of London, where they struggle to survive. Timing is everything in war, and a cruel twist of fate changes history. A super-intense John Day Thriller.
Geurts delivers a compelling tale of the reluctant orphan who finds himself to be more than he could ever have imagined. Imharak's place in the world is so much more than the sum of his bloodline. Finding himself in the midst of invasion, Imharak must discover which side of himself to align with. Will he be the conqueror or the conquered?
Historical Thrillers are one my favorite genre's. It’s the best of both worlds. The characters were/are real people and reading about them brings history alive in a way that textbooks just can’t. The fiction bit allows the author some room for speculation. It’s fun to see each authors take on the same historical characters. I think this genre keeps the past in the present and encourages people to look back and learn. The Thriller bit digs into the reader, blows the dust off the past and rips a hole through time to keep the story fresh.
While one woman examines the cultural implications of Ugandan names, another describes being tortured in a secret prison, and a third traces the mix of African and imported religions that shaped her. One mocks girls’ traditional sex education, while another voices her love of sports and a third reflects on her struggle to overcome a legacy of growing up in a war zone. All challenge social expectations, yet many view "modernization" with ambivalence.
“When Wolf Comes” is well researched. Time and again I found myself lost in time and imagining the beauty of the northwest. The wonder of it’s people and their means of survival. I haven’t read much into this time period or the tribes that inhabited the northwest but Pappas leads the reader expertly through the complexities of both it’s cultural and natural wonders.
I sat in the midst of all that hate and thought of the people in those buildings. I thought of the people that were in those planes. I thought of how each person must feel while faced with their death. I thought of the horror of choosing to burn or jump. I watched as people did jump and I imagined the feel of their last seconds. The sight of the ground as they fell closer to it. About the time people were jumping from the buildings my teacher turned off the TV. When she turned around I was the only one not yelling. I was the only one not balling my eyes out. I had silent tears down my face as she looked at me. She and I locked eyes. I could see the anger in hers. I could see that she agreed with the others that war was needed. I stared at her until she looked away.
Historical adventure, 1801. A survivor from an attack on a trade ship is sold as a slave to the Makah tribe of the Northwest Washington Coast. In a beautiful hostile land of people with strange spiritual ways he will become teacher and student, find friendship and even love, and realize escape comes in many guises, and survival is not always as simple as saving your own life.
After a bomb took away his father and severely injured his sister, Naveed's family lives in a hovel and their situation is precarious. The land lord is a bad man who has even worse friends and cares for no one but himself. He sets his eyes on Naveed's mother and I held my breath with worry about Naveed's family and how or if they would find a way out of that nasty man's reach.
When I was growing up war was just the way things were. No one took the time to explain to me that there were other ways to handle attacks from other countries. I remember sitting in my classroom in middle school as the Twin Towers were hit by those planes. We watched the people jumping from the buildings on our tiny bulbous screen hung in the top corner of our classroom. About the time my teacher realized that people were jumping to their death in front of a class of children she turned the TV off.
Letters to Strabo is therefore both a love story and a coming-of-age tale, set in the late 1970s that takes the form of a fictional odyssey recorded with disarming honesty by my protagonist, an innocent young American writer called Finn Black. His adventures, both funny and evocative, follow closely the itinerary taken by Twain on his own périplus around the Mediterranean a century earlier and are structured around the seventeen chapters of Strabo’s great work. The amazing places Finn visits, the art and cultures he comes across and most importantly the people he meets are faithfully described by him for Eve, the Olana archivist, now his long-distance pen-pal. Eve’s replies, her Letters to Strabo as she calls them, however, not only reveal to Finn her own hopes and dreams but increasingly disturbing glimpses of a tragic past; a past that echoes that of Twain’s two daughters.